Penny Truitt

Interference

About the Artist

Penny Truitt's most recent artwork shown below is from her 2020 solo exhibition, "Intended Consequences." "Intended Consequences" consists of a new body of sculpture which sets three-dimensional ideas into motion employing two forms in each piece, one of clay, the other steel. While thinking about the cardinal points of North, South, East and West, Truitt makes hand-built clay forms as a representation of the landscape, which is disrupted by steel forms breaking through the clay. The analogy implies steel as a man-made interruption or barrier imposed on the clay. She explains. “Building a barrier wall has both political and environmental consequences that remain long after the wall disintegrates.” While she doesn’t intend for the artwork to appear political in nature, she is thinking about these analogies within her forms.

Penny Truitt: "Confluence Series" 2018
A ceramic sculptor for the majority of her career, Truitt started working in steel a few years ago to challenge herself with a new material and methods, seeing where her forms and surfaces would go in the new medium. Inspiration came when she realized working in steel was taking her sculpture in a new direction, seeking to redefine her relationship with form and force a shift in perception.
Confluence, crosscurrents, and slippage are words used in her titles and the pieces “work” through shifting relationships, and push and pull between the sculptural elements. All of the works consist of two primary shapes which relate to each other with form and proportion, balance and continuity. Truitt explains she’s striving to, “further explore the possible arrangement of components and look for various orientations that reveal the unexpected – redefining the relationship and shifting of perception.”
After years perfecting glazing techniques with the Raku firings of her ceramic work, the surface and finish of steel posed another challenge. Through extensive experimentation with chemical patinas and the reactions that occur when adding natural elements, the surfaces of Truitt’s sculpture are exquisite. Gunmetal matte black, textured iron oxides, and painted color highlights work in harmony to create the strong form and beautiful surface which makes up this exquisite new body of work by Penny Truitt.


Also of importance to Truitt are the use of line and texture with both materials. The fluidity of ceramics lends itself to soft flowing lines, while the sharp angularity and cuts off steel form an opposing line. Both work together to reveal the conceptual content and physical form of the pieces.

Beginning in 2010, Truitt presented work addressing the issue of boundaries, encompassing Border walls, obstructions and impositions. This theme prevails, with current work combining clay and steel expanding on these concerns. Truitt explains, "Clay, when fired, is impermeable to time and the elements. Steel, by its nature, gradually disintegrates, leaving only a trace. Paradoxically, we create both a temporary, and lasting record on the landscape and in our collective memory."
Interference
Fractured I
Cardinal Points
Fractured II
Tangents
Double-crossed
Fractured IV
Fractured III
Disrupted
Horizons
Confluence I
Crosscurrents I
Confluence II
Edge III
Slippage VI
Confluence III